“What do the cruellest criminals do when they are all together?” This looks like the beginning of a joke, but still isn´t… Perhaps if I say “Simon West’s Con Air”, you will guess what the joke is. Wow! What a horrible film (in my opinion)! More than a blockbuster it seems a “blockbastard”! -Sorry for the pun.
Ok. Let’s start again. I am not going to talk about the ridiculous script, the non-existent sense of measure, the extremely confuse action scenes, or the inappropriate performances. I think that something better could Continue reading Dumber&Dumber Vs…
Yesterday I heard the umpteenth version of the Righteous Brothers’ song “You’ve lost that lovin feeling”, a huge hit from the middle 60’s. They say it’s the most versioned song ever (even more than Beatles’ “Yesterday”).
Many song versions are made by not very popular singers or groups, but sometimes there are well-known artists that decide to make their contribution. Oops! But what a contribution sometimes! It’s like a photocopy.
I think that versions must add something to the original piece. It’s not a matter of respect to the original, but a question of being creative. I remember when, for example, Nirvana was going to version the great David Bowie’s “The man who sold the world”; I expected a new powerful song, but Continue reading To be or not to be: that is the version
A gang of highly professional thieves is committing a series of robberies… An assassin performs his very own nightly tour de force… Two anti-vice detectives pursue the typical delinquent. While looking forward to seeing on screen Miami Vice´s cinematographic version, both “Heat” and “Collateral” offer us a characteristic mark of Michael Mann´s work as a director, which is not in the detective stories but in his way of portraying the city. In fact, these two movies Continue reading Hitting the city
I like Pink Floyd very much. They have handed down to Rock music history not only a fistful of memorable albums (the indisputable “Dark Side Of The Moon“, “Wish You Were Here”, the visionary “Ummagumma”, a less known gem titled “Meddle”, etc), but also a worldwide influential style due to their music, lyrics, performances… Very few times has a band been so unanimously acclaimed by public and critics.
But that symbolism which Waters and Gilmour liked so much (I think) has three great exponents: “The wall” album, the song “Wish you were here” and my favourite album, “Animals”. All of them full of that nonconformity (sometimes naïve nonconformity, but never unnecessary). Continue reading Animal Farm
We all know that the producers’ aim is to make a profit. And it’s logical: like any company, they are moved by obvious interests:
Position in the Industry (I mean, having a predominance in a market segment against other companies)
…which allows them to be able to have at their disposal better human and material resources;
…which means they are able to tackle the biggest projects;
…which (they believe) will yield larger profits and cost-effectiveness.
Then, it’s sensible to think that every film will be considered a product to exploit economically. There’s nothing wrong with it.
Simplifying a lot, let’s Continue reading Risky Business
Well. I don’t know the reason, but this afternoon I feel naive. Maybe it will be the nearness of summer time, or maybe not. One thing is true, today we are going to talk about romantic moments in the movies. Why not? Don’t I have the right to be mawkish (I expect I won’t) at least once every quarter?
Love or romantic scenes in the movies seem (too often) to be written by teenagers while hugging their pillows. Ugh! Bad vibrations, if we want to make a high-quality film. Is there a hope? I think so, and that is the reason why I will Continue reading In the mood for Love
There’s no doubt that Goldfrapp is one of the most interesting groups in the current music scene. But let’s start by the beginning. In the late 90’s, Allison Goldfrapp, alter having collaborated with some indie artists, joins Will Gregory so as to Continue reading Lovely head
The first thing you should know, I’m not a Stephen King fan, but I feel interested by the fact that many of his novels have been taken to the Big screen, though not always with great success. I’ll overlook the sometimes terrible or unimportant adaptations, and the overrated ones (sorry, but I don’t enjoy “Carrie” very much).
For a great movie tour around King’s novels, Continue reading King’s Pupil
It is curious, this of trends. I remember the synthesizer boom around the second half of the eighties. And I say it is curious because the “synthesizer phenomenon” is much older. More than fifty years ago, avant-garde composers (Ussachevsky, Subotnick, etc…) were already using electronics in their music. However, I recognize that I identify myself more with the seventies´ boom and Schulze, Tangerine Dream or the megapopulars Vangelis and Jean Michel Jarre. Continue reading Remembering synthesizers
Hi everyone! We can consider this article as a continuation of those “Five remedies for sadness” released several weeks ago. Today we are going to concentrate on a film which, in 1988, revitalized the comedy genre: “A fish called Wanda”.
There is something that distinguishes this film from many others: surely, the charisma of the four main actors and their brilliant and hilarious performances. But, let’s start with the beginning.
Mythic John Cleese (along with Graham Chapman, the two most outstanding members from Monty Python) dumped his acid sense of humour in a story about burglars, and he decided to offer it to a filmmaker (Charles Crichton, who hadn’t shot a movie since the late 60’s). Cleese succeeded in putting pressure on the producers, and (along with Crichton) wrote the final screenplay. They opted to dispense with the dark surreal humour from Monty Python’s stage, and they also impregnated the absurd situations with more dramatic likeliness. And the bet was complete, because they Continue reading A fish-ful of pounds (and other singular creatures)