“What do the cruellest criminals do when they are all together?” This looks like the beginning of a joke, but still isn´t… Perhaps if I say “Simon West’s Con Air”, you will guess what the joke is. Wow! What a horrible film (in my opinion)! More than a blockbuster it seems a “blockbastard”! -Sorry for the pun.
Ok. Let’s start again. I am not going to talk about the ridiculous script, the non-existent sense of measure, the extremely confuse action scenes, or the inappropriate performances. I think that something better could Continue reading Dumber&Dumber Vs…
A gang of highly professional thieves is committing a series of robberies… An assassin performs his very own nightly tour de force… Two anti-vice detectives pursue the typical delinquent. While looking forward to seeing on screen Miami Vice´s cinematographic version, both “Heat” and “Collateral” offer us a characteristic mark of Michael Mann´s work as a director, which is not in the detective stories but in his way of portraying the city. In fact, these two movies Continue reading Hitting the city
Mentocola, in its stable form, is one of the rarest substances on Earth, since this mix tends to explode unless you handle it very carefully. This video shows how to make it. The explosive reaction, on the other hand, has become quite popular lately…
disclaimer: Making&drinking mentocola may be risky, be aware of that.
(…) a secret that threatens to overturn 2000 years of accepted dogma
I wonder if “The Da Vinci Code”, the movie, will ever have a life outside of “The Da Vinci Code”, the book, just as much as I wondered before if “The Da Vinci Code”, the book, would ever have had a life outside of its title. In my opinion, both the book´s title and its cover design were the true reasons for its success, more than the plot, which albeit interesting was nothing new sub sole (for instance, check Peter Berling´s “The Children of the Grail“). In this way I would say that I Continue reading Da Vinci Code, the movie: Afterthoughts
Who is Paul Greengrass? He is the director of two films as different as excellent: the brutally real “Bloody Sunday” and the more popular “The Bourne Supremacy”. Our target today will be the second title I’ve mentioned, perhaps the best action film (in my opinion) since “Die Hard”.
Action movies usually have a bad press, due to the dreadful quality (it´s true) of some of these products. Many of them attempt on the audience’s intelligence: We are fed up of watching bad guys killing lots of people with great precision, only to become true idiots when it´s about killing the hero. “The Bourne Supremacy” fortunately respects our capacity of thinking.
a repository for arcade related promotional flyers that are used by the coin-operated amusement industry to promote the sales of their games.
The product of a fusion between two already big flyer collections, the Arcade Flyer Archive is, since 1999, an evergrowing showcase of arcade flyers and a paradise for the video game enthusiast.
In wandering through the many images available (usually there are several flyers for a single videogame,) you will find amazing artworks covering the entire story of arcades from 1971 to almost yesterday (the database is constantly updated). From an aesthetical point of view this is enough to Continue reading Game Flyers Galore!
I hate fighting games. My first contact with them was the Street Fighter 2 coin-op, and already then I thought it was a ridiculous game. That’s strange, because I could finish the first Double Dragon without blinking, but there was no chemistry. It was a game without power-ups, where in order to get the control dynamics you had to Continue reading We love kung-fu!
What is a “vile genre”? I’ve heard this term from some cinema reviewers in recent days, referred to those kinds of movies which “pervert” the traditional rules of a classic genre (for example, the Spaguetti-western is a filmic perversion of classic American western movies). The “vile genre” is characterized by the rupture of the usual canons in direction, production design, etc., emphasizing a more direct treatment of the situations and roles. In other words, these are movies which don´t need a second interpretation to be understood.