Hello everybody. This morning I was listening to the radio and heared the tune “Don’t cry for me Argentina”. Then I asked myself a question: Why do some people use the term “rock opera” when talking about some affected musicals created by Weber, Rice and company? Is it logical? I don´t think so.
In case you don’t agree with me, let’s bring up the first works of this genre. The Who’s “Tommy” represents the opening title of this rock style music, and it was followed by distinguished albums (“The Wall”, for example). “Cats” is not rock, but a mixture of pop and soft rock.
I have been searching for some current equivalent to those previous extraordinary conceptual rock pieces. It has to Continue reading The “Museical” absolution