Wenner’s unique and innovative use of anamorphic perspective creates unforgettable images that combine the painted surface with its surroundings into a single composition.
After the interest shown in a former article on Julian Beever’s anamorphic pavement paintings, I decided to complete it with more materials on the topic. Julian’s site included several pictures of his chalk paintings, but I remembered to have seen some more, so I made a little research to see what I could find -and I found myself surprised by the (re)discovery of another great painter and master of the anamorphic technique, Kurt Wenner.
I say rediscovery because in fact I already knew several of his pictures, though I thought they belonged to Julian; actually, besides the fact that they use similar methods, it’s easy to see differences between them. Both of them are figurative, and draw the contours of the shapes they paint. However, if Beever tends to paint contemporary and often quotidian people and objects, Wenner’s imagery is neoclassical, in between Renaissance and Baroque. My favourite paintings of his are those where he works the scenography and composition in order to enhance the pathos, giving the pictures a strength that outperforms that of Beever… yet Julian has got a sense of humour, a “human touch”, which make his paintings great even when the subject is not. In other words: Human people in a picture by Wenner tend to become objects, statues in the picture. But when Beever poses with his creations, he brings them out to the world.
In all, I would say that Beever and Kenner, both great artists, complement each other very well, and I hope that they keep on bringing us many more marvellous paintings. 🙂
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