Dumber&Dumber Vs…

“What do the cruellest criminals do when they are all together?” This looks like the beginning of a joke, but still isn´t… Perhaps if I say “Simon West’s Con Air”, you will guess what the joke is. Wow! What a horrible film (in my opinion)! More than a blockbuster it seems a “blockbastard”! -Sorry for the pun.

Ok. Let’s start again. I am not going to talk about the ridiculous script, the non-existent sense of measure, the extremely confuse action scenes, or the inappropriate performances. I think that something better could Continue reading Dumber&Dumber Vs…

Hitting the city

A gang of highly professional thieves is committing a series of robberies… An assassin performs his very own nightly tour de force… Two anti-vice detectives pursue the typical delinquent. While looking forward to seeing on screen Miami Vice´s cinematographic version, both “Heat” and “Collateral” offer us a characteristic mark of Michael Mann´s work as a director, which is not in the detective stories but in his way of portraying the city. In fact, these two movies Continue reading Hitting the city

Cars: Afterthoughts

http://disney.go.com/disneypictures/cars/

Lightning McQueen, a hotshot rookie race car driven to succeed, discovers that life is about the journey, not the finish line, when he finds himself (…) in the sleepy Route 66 town of Radiator Springs.

For the sake of honesty, I´ll say that I went to see Cars almost forced by a friend. Though I usually love animation films, the way the cars are portrayed looked somehow too bland, too gentle, so to say, and I feared that the whole would share that same spirit.

In fact, while perhaps mild, Cars is nevertheless a good movie. Continue reading Cars: Afterthoughts

Risky Business

We all know that the producers’ aim is to make a profit. And it’s logical: like any company, they are moved by obvious interests:

  • Position in the Industry (I mean, having a predominance in a market segment against other companies)
  • …which allows them to be able to have at their disposal better human and material resources;
  • …which means they are able to tackle the biggest projects;
  • …which (they believe) will yield larger profits and cost-effectiveness.
  • Then, it’s sensible to think that every film will be considered a product to exploit economically. There’s nothing wrong with it.

    Simplifying a lot, let’s Continue reading Risky Business

    In the mood for Love

    Well. I don’t know the reason, but this afternoon I feel naive. Maybe it will be the nearness of summer time, or maybe not. One thing is true, today we are going to talk about romantic moments in the movies. Why not? Don’t I have the right to be mawkish (I expect I won’t) at least once every quarter?

    Love or romantic scenes in the movies seem (too often) to be written by teenagers while hugging their pillows. Ugh! Bad vibrations, if we want to make a high-quality film. Is there a hope? I think so, and that is the reason why I will Continue reading In the mood for Love

    Da Vinci Code, the movie: Afterthoughts

    http://www.sonypictures.com/movies/thedavincicode/

    (…) a secret that threatens to overturn 2000 years of accepted dogma

    I wonder if “The Da Vinci Code”, the movie, will ever have a life outside of “The Da Vinci Code”, the book, just as much as I wondered before if “The Da Vinci Code”, the book, would ever have had a life outside of its title. In my opinion, both the book´s title and its cover design were the true reasons for its success, more than the plot, which albeit interesting was nothing new sub sole (for instance, check Peter Berling´s “The Children of the Grail“). In this way I would say that I Continue reading Da Vinci Code, the movie: Afterthoughts

    King’s Pupil

    The first thing you should know, I’m not a Stephen King fan, but I feel interested by the fact that many of his novels have been taken to the Big screen, though not always with great success. I’ll overlook the sometimes terrible or unimportant adaptations, and the overrated ones (sorry, but I don’t enjoy “Carrie” very much).
    For a great movie tour around King’s novels, Continue reading King’s Pupil

    Blade Runner Origami Unicorn

    http://bladerunnerunicorn.com/Unicorn_Diagrams.html

    Thanks to the instructions in this site, you can emulate Gaff and leave the same origami unicorn he left Deckard in front of your suspected replicant friends´door. This origami unicorn has an intermediate level of difficulty, but the instructions come both in origami signs and pictures for every step, which makes it a recommended model not only for the film fans but also for anyone who wants to understand origami signs better, since you can easily see how the drawings correspond to the real foldings. Good luck and happy sheepy dreams!

    A fish-ful of pounds (and other singular creatures)

    Hi everyone! We can consider this article as a continuation of those “Five remedies for sadness” released several weeks ago. Today we are going to concentrate on a film which, in 1988, revitalized the comedy genre: “A fish called Wanda”.

    There is something that distinguishes this film from many others: surely, the charisma of the four main actors and their brilliant and hilarious performances. But, let’s start with the beginning.

    Mythic John Cleese (along with Graham Chapman, the two most outstanding members from Monty Python) dumped his acid sense of humour in a story about burglars, and he decided to offer it to a filmmaker (Charles Crichton, who hadn’t shot a movie since the late 60’s). Cleese succeeded in putting pressure on the producers, and (along with Crichton) wrote the final screenplay. They opted to dispense with the dark surreal humour from Monty Python’s stage, and they also impregnated the absurd situations with more dramatic likeliness. And the bet was complete, because they Continue reading A fish-ful of pounds (and other singular creatures)