Today we are going to finish this two-chapter series about Spaghetti Western. We will review the “punch” of this genre by means of some titles that shape it.
Let´s begin with my favourite film in the genre: Leone’s “Once Upon a Time in the West” (obvious choice). Leone had already shot the “Dollars trilogy” (the previous three films), although this is the movie in which he reaches the greatest refinement and technical perfection. Without leaving the peculiar characteristics of these kind of films, Leone obtains his most personal movie, tinged with a slower narrative tempo than previous ones. Continue reading Once upon a time in the “Spaghetti” West (II): three different sights
What is a “vile genre”? I’ve heard this term from some cinema reviewers in recent days, referred to those kinds of movies which “pervert” the traditional rules of a classic genre (for example, the Spaguetti-western is a filmic perversion of classic American western movies). The “vile genre” is characterized by the rupture of the usual canons in direction, production design, etc., emphasizing a more direct treatment of the situations and roles. In other words, these are movies which don´t need a second interpretation to be understood.
Some imaginative filmmakers (Tarantino, Raimi, among others) have an excellent knowledge of this kind of cinema, often called “B” or “Z” series. Just take a look at “Kill Bill” and you’ll Continue reading Once upon a time in the “Spaghetti” West